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  <titleInfo>
    <title>Woman, native, other</title>
    <subTitle> : writing postcoloniality and feminism</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>T Minh-Ha Trinh</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>T Minh-Ha Trinh</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="">Women and literature-Feminism and literature</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xxu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Bloomington</placeTerm>
    </place>
    <publisher>: Indiana University Press</publisher>
    <dateIssued>, ©1989</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>viii, 173 pages  : illustrations  ; 25 cm.</extent>
  </physicalDescription>
  <abstract>Woman, Native, Other is located at the junction of a number of different fields and disciplines, and it genuinely succeeds in publishing the boundaries of these disciplines further ... In this first full-length study, Trinh Minh-ha examines post-colonial processes of displacement -- cultural hybridization and decentered realities, fragmented selves and multiple identities, marginal voices and languages of rupture. Working at the intersection of several fields -- women's studies, anthropology, critical cultural studies, literary criticism, and feminist theory, she juxtaposes numerous prevailing contemporary discourses in a form that questions the (male-is-norm) literary and theoretical establishment."--Back cover.</abstract>
  <tableOfContents>	The Story Began Long Ago ... ---
I. Commitment from the Mirror-Writing Box. The triple bind ---
Silence in time ---
Rites of passage ---
The Guilt ---
Freedom and the masses ---
For the people, by the people, and from the people ---
Vertically imposed language: on clarity, craftsmanship, and She who steals language ---
A sketched window on the world ---
The infinite play of empty mirrors ---
Writing woman ----
II. The Language of Nativism: Anthropology as a Scientific Conversation of Man with Man. The reign of worn codes ---
The positivist dream: We, the natives; They, the natives ---
A Western Science of man---
A Myth of mythology ---
What 'man' and which 'man'? ---
Gossip and science: a conversation on what I love according to truth ---
Nativist interpretation ---
See them as they see each other ----
III. Difference: 'A Special Third World Women Issue'. The Policy of Oseparate development ---
The Sense of specialness ---
The question of roots and authenticity ---
Infinite Layer: I am not i can be you and me ---
The female identity enclosure Third World? ---
'Woman' and the subtle power of linguistic exclusion ---
Subject-in-the-making ---
Ethnicity or womanhood: whose duality? ---
The Gender controversy ----
IV. Grandma's Story. Truth and fact: story and history ---
Keepers and transmitters ---
Storytelling in the 'civilized' context ---
A regenerating force ---
At once 'black' and 'white' magic ---
The woman warrior: she who breaks open the spell ---
A cure and a protection from illness ---
'Tell it the way they tell it' ---
'The story must be told. There must not be any lie'.</tableOfContents>
  <note type="statement of responsibility">/T Minh-Ha Trinh</note>
  <subject>
    <topic>Literature</topic>
  </subject>
  <classification authority="ddc">809.89287 TRI</classification>
  <identifier type="isbn">9780253205032</identifier>
  <identifier type="">International Book Distributors ;Flat No.17,Prakash Apartments ,5 Ansari Road ,Daryaganj New Delhi-110002</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">180531</recordCreationDate>
    <recordChangeDate encoding="iso8601">20180531115513.0</recordChangeDate>
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