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  <titleInfo>
    <title>Shapeshifters</title>
    <subTitle>: Black girls and the choreography of citizenship</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Aimee Meredith Cox</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Aimee Meredith Cox</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="">African American homeless persons</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xxu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Durham</placeTerm>
    </place>
    <publisher>: Duke University Press</publisher>
    <dateIssued>, 2015</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xvi, 280 pages  ; 24 cm.</extent>
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  <abstract>In Shapeshifters Aimee Meredith Cox explores how young Black women in a Detroit homeless shelter contest stereotypes, critique their status as partial citizens, and negotiate poverty, racism, and gender violence to create and imagine lives for themselves. Based on eight years of fieldwork at the Fresh Start shelter, Cox shows how the shelter's residents--who range in age from fifteen to twenty-two--employ strategic methods she characterizes as choreography to disrupt the social hierarchies and prescriptive narratives that work to marginalize them. Among these are dance and poetry, which residents learn in shelter workshops. These outlets for performance and self-expression, Cox shows, are key to the residents exercising their agency, while their creation of alternative family structures demands a rethinking of notions of care, protection, and love. Cox also uses these young women's experiences to tell larger stories: of Detroit's history, the Great Migration, deindustrialization, the politics of respectability, and the construction of Black girls and women as social problems. With Shapeshifters Cox gives a voice to young Black women who find creative and non-normative solutions to the problems that come with being young, Black, and female in America.</abstract>
  <tableOfContents>"We came here to be different": the Brown family and remapping Detroit --
Renovations --
Narratives of protest and play --
Sex, gender, and scripted bodies --
The move experiment.</tableOfContents>
  <note type="statement of responsibility">/Aimee Meredith Cox</note>
  <subject>
    <topic>Social sciences</topic>
  </subject>
  <classification authority="ddc">305.23082 COX</classification>
  <identifier type="isbn">9780822359319</identifier>
  <identifier type="">International Book Distributors ;Flat No.17,Prakash Apartments ,5 Ansari Road ,Daryaganj New Delhi-110002</identifier>
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    <recordCreationDate encoding="marc">180601</recordCreationDate>
    <recordChangeDate encoding="iso8601">20180601145428.0</recordChangeDate>
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