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    <subfield code="a">Haywood, Ian, </subfield>
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    <subfield code="a">The revolution in popular literature </subfield>
    <subfield code="b">:print, politics, and the people, 1790-1860</subfield>
    <subfield code="c">/ Ian Haywood</subfield>
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    <subfield code="a">New York </subfield>
    <subfield code="b">:Cambridge University Press, </subfield>
    <subfield code="c">2004.</subfield>
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    <subfield code="a">xii, 332 pages </subfield>
    <subfield code="b">: illustrations </subfield>
    <subfield code="c">; 24 cm.</subfield>
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    <subfield code="a">Cambridge studies in nineteenth-century literature and culture, 44</subfield>
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    <subfield code="a">he people's enlightenment : the radical diffusion of knowledge in the late eighteenth century --
Writing for their country : the plebeian public sphere in the 1790S --
The pax femina? Hannah more, counter-revolution and the politics of female agency --
The palladium of liberty : radical journalism and repression in the postwar era --
'Democratic fervour and journal ascendancy' : popular culture and the 'unstamped' wars of the 1830s --
The Charist revolution --
Fathers of the cheap press or 'able speculators'? Edward Lloyd and George W.M. Reynolds --
The rights and wrongs of woman --
Acts of oblivion : 1848 and after.</subfield>
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    <subfield code="a">"This book takes a new look at the evolution of popular literature in Britain in the Romantic and Victorian periods. Ian Haywood argues that the key developments in the history of popular literature at this time emerged from the clash between radical and reactionary politics. Both sides wanted to win the heart and mind of the 'common reader' and used print culture to try to influence a newly literate group in society. Making use of a wide range of archival and primary sources, he argues that radical politics played a decisive role in the transformation of popular literature from the plebian miscellany of the 1790s to the mass-circulation fiction and popular journalism of the 1840s. By charting the key moments in the history of 'cheap' literature, the book casts new light on many neglected popular genres and texts: the 'pig's meat' anthology, the female-authored didactic tale and Chartist fiction."--Jacket</subfield>
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