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  <titleInfo>
    <title>Science, fiction, and the fin-de-siècle periodical press</title>
  </titleInfo>
  <name type="personal">
    <namePart>Tattersdill, Will</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Tattersdill, Will</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="">Great Britain.</genre>
  <originInfo>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>: Cambridge University Press</publisher>
    <dateIssued> 2016</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>x, 220 pages  : illustrations  ; 24 cm.</extent>
  </physicalDescription>
  <abstract>	"In this revisionary study, Will Tattersdill argues against the reductive 'two cultures' model of intellectual discourse by exploring the cultural interactions between literature and science embodied in late nineteenth-century periodical literature, tracing the emergence of the new genre that would become known as 'science fiction'. He examines a range of fictional and non-fictional fin-de-siècle writing around distinct scientific themes: Martian communication, future prediction, X-rays, and polar exploration. Every chapter explores a major work of H.G. Wells, but also presents a wealth of exciting new material drawn from a variety of late Victorian periodicals. Arguing that the publications in which they appeared, as well as the stories themselves, played a crucial part in the development of science fiction, Tattersdill uses the form of the general interest magazine as a way of understanding the relationship between the arts and the sciences, and the creation of a new literary genre</abstract>
  <tableOfContents>	Introduction: material entanglements --
1. Intrinsic intelligibility: communications with Mars, and between disciplines, in the pages of the magazines --
2. Distance over time: using periodicals to predict the future --
3. New photography: X-rays and the images of the New Journalism --
4. Further northward: polar exploration and empire in the fact and fiction of the popular press --
Conclusion: bad science and the study of English.</tableOfContents>
  <note type="statement of responsibility">/Will Tattersdill</note>
  <subject>
    <topic> Magazines, journals &amp; serials</topic>
  </subject>
  <subject>
    <topic>Serials in English</topic>
  </subject>
  <subject>
    <topic>Wells, H. G. -- (Herbert George), -- 1866-1946 -- Criticism and interpretation</topic>
  </subject>
  <subject>
    <topic>Serialized fiction -- Great Britain -- History and criticism</topic>
  </subject>
  <subject>
    <topic>Wells, H. G. -- (Herbert George), -- 1866-1946</topic>
  </subject>
  <subject>
    <topic>Serialized fiction</topic>
  </subject>
  <subject>
    <topic>Roman</topic>
  </subject>
  <subject>
    <topic>Serialized fiction</topic>
  </subject>
  <subject>
    <topic>Wells, H. G. -- (Herbert George), -- 1866-1946 -- Criticism and interpretation</topic>
  </subject>
  <subject>
    <topic>Science-Fiction-Literatur</topic>
  </subject>
  <subject>
    <topic>Zeitschrift</topic>
  </subject>
  <classification authority="ddc">052.09034 TAT</classification>
  <identifier type="isbn">9781316507872</identifier>
  <identifier type="">:Atlantic Publishers &amp; Distributors :7/22 Ansari Road Darya Ganj New Delhi  </identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">190731</recordCreationDate>
    <recordChangeDate encoding="iso8601">20190911155445.0</recordChangeDate>
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