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    <subfield code="a">Shimada, Akira</subfield>
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    <subfield code="a">Amaravati </subfield>
    <subfield code="b">: the art of an early Buddhist monument in context</subfield>
    <subfield code="c">/ Akira Shimada</subfield>
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    <subfield code="a">London </subfield>
    <subfield code="b">: The British Museum,</subfield>
    <subfield code="c">&#xA9;2016</subfield>
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    <subfield code="a">vi, 126 pages </subfield>
    <subfield code="b">: illustrations (some color), color maps</subfield>
    <subfield code="c"> ; 30 cm</subfield>
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    <subfield code="a">Research publication (British Museum), no. 207.</subfield>
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    <subfield code="a">	Introduction. Discovery of the Amaravati St&#x16B;pa: Early Excavations and Interpretations / Akira Shimada --
Part 1. Historical and Religious Contexts --
1. The South Deccan Iron Age: Antecedents to Early Historic Andhrade&#x15B;a / Peter G. Johansen --
2. Caitya, Mah&#x101;caitya: Questions of Terminology in the Age of Amaravati / Peter Skilling --
3. Money and the Monuments: Coins of the Sada Dynasty of the Coastal Andhra Region / Shailendra Bhandare --
Part II: Cultural Interactions --
4. Buddhist Narratives and Amaravati / Monika Zin --
Reflections of Roman Art in Southern India / Elizabeth Rosen Stone --
Mahinda's Visit to Amaravati?: Narrative Connections between Buddhist Communities in Andhra and Sri Lanka / Catherine Becker --
Part II: Cultural Interactions --
7. A Third-Century CE Nagarjunakonda Relief and Other Sculpture from Andhra Pradesh in the Victoria and Albert Museum / Nick Barnard --
8. An Amaravati-School Pillar from the Collections of the Rijksmuseum, Amsterdam and the Tokyo National Museum: Style and Attribution / Ann A. &#x15A;laczka --
9. Protective Goddesses in the Service of Buddhism: A Sculpture from Andhra in the British Museum / Michael Willis --
Part IV: Amaravati in a Modern Context --
10. Reviving the Lost Art of Amaravati: The Sriparvata Arama Project, India / Harsha Vardhan.</subfield>
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    <subfield code="a">"Buddhism originated in north India and spread to other parts of the subcontinent in the third century BCE. The Andhra region, located along the south-east coast of India, welcomed Buddhism and an important shrine was built at Amaravati, probably to house relics of the Buddha brought from the north. Amaravati was enlarged and embellished over several centuries from about 200 BCE, transforming it into what ancient inscriptions describe as a mah&#x101;cetiya or 'great shrine'. Although one of the most important Buddhist monuments in India, Amaravati declined from the 14th century. It was re-discovered and then excavated during the 19th century. In 1880 more than 120 of the Amaravati sculptures entered the collection of the British Museum, while other pieces found their way to museums in India, Europe and America. The papers in this book emerged from a conference at the British Museum held in September 2014 that brought together leading specialists from around the world to address aspects of Amaravati and its sculpture. Subjects covered in this volume include the rediscovery of the site at the end of the 18th century as well as its recreation and reinterpretation in the 21st century. The art of Amaravati is also placed in the context of other sites and remains from the Andhra region which, despite its importance, has been relatively neglected in the study of the religious and visual cultures of South Asia." -- Publisher's website</subfield>
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    <subfield code="a">History </subfield>
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    <subfield code="a"> History of ancient world (to ca. 499)</subfield>
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    <subfield code="a">Buddhist architecture -- India -- Amaravati</subfield>
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    <subfield code="a">Buddhist sculpture -- India -- Amaravati.</subfield>
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    <subfield code="a">Amaravati (India) -- Buildings, structures,</subfield>
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