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  <titleInfo>
    <title>Basic elements of narrative</title>
  </titleInfo>
  <name type="personal">
    <namePart>David Herman</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>David Herman</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="">Narration (Rhetoric)</genre>
  <originInfo>
    <place>
      <placeTerm type="text">Chichester, U.K. ; Malden, MA</placeTerm>
    </place>
    <publisher>: Wiley-Blackwell</publisher>
    <dateIssued>, 2009</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xv, 249 pages ;22 cm.</extent>
  </physicalDescription>
  <abstract>Basic Elements of Narrative outlines a way of thinking about what narrative is and how to identify its basic elements across various media, introducing key concepts developed by previous theorists and contributing original ideas to the growing body of scholarship on stories.: Includes an overview of recent developments in narrative scholarship; Provides an accessible introduction to key concepts in the field; Views narrative as a cognitive structure, type of text, and resource for interpersonal communication; Uses examples from literature, face to face interaction, graphic novels, and film to.</abstract>
  <tableOfContents>Contents 
List of Illustrations
The Elements
Preface
	The Scope and Aims of This Book
	Storytelling Media and Modes of Narration
Acknowledgments
1. Getting Started: A Thumbnail Sketch of the Approach Developed in This Book
Toward a Working Definition of Narrative
Profiles of Narrative
Narrative: Basic Elements
2. Background and Context: Framing the Approach
	Interdisciplinary Perspectives on Narrative and Narrative Theory
	Major Trends in Recent Scholarship on Narrative
3. Back to the Elements: Narrative Occasions
 Situating Stories
 Sociolinguistic Approaches
 Positioning Theory	
 The Narrative Communication Model
	Conclusion
4. Temporality, Particularity, and Narrative: An Excursion into the Theory of Text Types	
 From Contexts of Narration to Narrative as a Type of Text
 Text Types and Categorization Processes
	Narrative as a Text-Type Category: Descriptions vs. Stories vs. Explanations	
Summing up: Text Types, Communicative Competence, and the Role of Stories in Science
5. The Third Element: Or, How to Build a Storyworld 
	Narratives as Blueprints for Worldmaking
	Narrative Ways of Worldmaking
	Narrative Worlds: A Survey of Approaches
Configuring Narrative Worlds: The WHAT, WHERE, and WHEN Dimensions of Storyworlds
	Worlds Disrupted: Narrativity and Noncanonical Events
6. The Nexus of Narrative and Mind
	The Consciousness Factor
	Consciousness Across Narrative Genres
	Experiencing Minds: What It's Like, Qualia, Raw Feels
	Storied Minds: Narrative Foundations of Consciousness? 
Appendix
Reproduction of Ernest Hemingway's "Hills Like White Elephants" (1927) 
Transcript of a Story Told during Face-to-Face Interaction: UFO or the Devil
Pages from Daniel's Clowes's Graphic Novel Ghost World (1997)
Screenshots from Terry Zwigoff's Film Version of Ghost World (2001)
Glossary
References
Index
</tableOfContents>
  <note type="statement of responsibility">/David Herman</note>
  <subject>
    <topic>literature</topic>
  </subject>
  <classification authority="ddc">808 HER</classification>
  <identifier type="isbn">9781405141543</identifier>
  <identifier type="">Technical Bureau Private Limited ;E-261,Shastri Nagar,Delhi-110052</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">200704</recordCreationDate>
    <recordChangeDate encoding="iso8601">20210203112306.0</recordChangeDate>
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