<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>03972nam a22002537a 4500</leader>
  <controlfield tag="005">20230929111950.0</controlfield>
  <controlfield tag="008">230929b        |||||||| |||| 00| 0 eng d</controlfield>
  <datafield tag="020" ind1=" " ind2=" ">
    <subfield code="a">9780367632083</subfield>
  </datafield>
  <datafield tag="028" ind1=" " ind2=" ">
    <subfield code="a">: Raghav Books Pvt. Ltd.</subfield>
    <subfield code="b">: A-184 A, Nand Gram, Ghaziabad, U.P.</subfield>
    <subfield code="c">: 4167</subfield>
    <subfield code="d">: 28/09/2023</subfield>
  </datafield>
  <datafield tag="082" ind1=" " ind2=" ">
    <subfield code="a">302.2309 CHU</subfield>
  </datafield>
  <datafield tag="100" ind1=" " ind2=" ">
    <subfield code="a">Chun, Wendy Hui Kyong,</subfield>
  </datafield>
  <datafield tag="100" ind1=" " ind2=" ">
    <subfield code="a">; Keenan, Thomas.</subfield>
  </datafield>
  <datafield tag="245" ind1=" " ind2=" ">
    <subfield code="a">New media, old media </subfield>
    <subfield code="b">: a history and theory reader.</subfield>
    <subfield code="c">/ Wendy Hui Kyong Chun.</subfield>
  </datafield>
  <datafield tag="260" ind1=" " ind2=" ">
    <subfield code="a">, New York</subfield>
    <subfield code="b">: Routledge</subfield>
    <subfield code="c">, 2006.</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">x, 418p.</subfield>
    <subfield code="c">:26cm.</subfield>
  </datafield>
  <datafield tag="365" ind1=" " ind2=" ">
    <subfield code="b">2600</subfield>
  </datafield>
  <datafield tag="505" ind1=" " ind2=" ">
    <subfield code="a">Early film history and multi-media: an archaeology of possible futures? / Thomas Elsaesser
Electricity made visible / Geoffrey Batchen
"Tones from out of nowhere": Rudolph Pfenninger and the archaeology of synthetic sound / Thomas Y. Levin
Memex revisited / Vannevar Bush
Out of file, out of mind / Cornelia Vismann
Dis/continuities: Does the archive become metaphorical in multi-media space? / Wolfgang Ernst
Breaking down: Godard's histories / Richard Dienst
Ordering law, judging history: deliberations on court TV / Lynne Joyrich
The style of sources: remarks on the theory and history of programming languages / Wolfgang Hagen
Science as open source process / Friedrich Kittler
Cold War networks, or, Kaiserstr. 2, Neubabelsberg / Friedrich Kittler
Protocol vs. institutionalization / Alexander R. Galloway
Reload: liveness, mobility, and the Web / Tara McPherson
Generation flash / Lev Manovich
Viruses are good for you / Julian Dibbell
The imaginary of the artificial: automata, models, machinics; on promiscuous modeling as precondition for poststructuralist ontology / Anders Michelsen
Information, crisis, catastrophe / Mary Ann Doane
The weird global media event and the tactical intellectual [version 3.0] / MacKenzie Wark
Imperceptible perceptions in our technological modernity / Arvind Rajagopal
Deep Europe: a history of the syndicate network / Geert Lovink
The cell phone and the crowd: messianic politics in the contemporary Philippines / Vicente L. Rafael
Cybertyping and the work of race in the age of digital reproduction / Lisa Nakamura
Network subjects, or, the ghost is the message / Nicholas Mirzeoff
Modes of digital identification: virtual technologies and webcam cultures / Ken Hillis
Hypertext Avant la lettre / Peter Krapp
Network fever / Mark Wigley
The demystifica-hic-tion of in-hic-formation / Thomas Keenan</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">"The term "new media" rose to prominence in the 1990s, superseding "multi-media" in business, art, and culture. The phrase obstinately portrays other media as old or dead. But what, if anything, is truly unique or revolutionary about new media? New Media, Old Media is a comprehensive anthology of original and classic essays that explore the tensions of old and new in digital culture. Leading international media scholars and cultural theorists interrogate new media like the Internet, digital video, and MP3s against the backdrop of earlier media such as television, film, photography, and print. The essays provide new benchmarks for evaluating all those claims--political, social, ethical--made about the digital age. Committed to historical research and to theoretical innovation, they suggest that in the light of digital programmability, seemingly forgotten moments in the history of the media we glibly call old can be rediscovered and transformed. The many topics explored in provocative volume include websites, webcams, the rise and fall of dotcom mania, Internet journalism, the open source movement, and computer viruses. New Media, Old Media is a foundational text for general readers, students, and scholars of new media across the disciplines. It is essential reading for anyone interested in understanding the cultural impact of new media."</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2=" ">
    <subfield code="a">History</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2=" ">
    <subfield code="a">Massamedia</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2=" ">
    <subfield code="a">Mass media History</subfield>
  </datafield>
  <datafield tag="700" ind1=" " ind2=" ">
    <subfield code="a">Wendy Hui Kyong Chun</subfield>
  </datafield>
  <datafield tag="942" ind1=" " ind2=" ">
    <subfield code="c">BOOK</subfield>
  </datafield>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">60877</subfield>
    <subfield code="d">60877</subfield>
  </datafield>
</record>
