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  <titleInfo>
    <title>Romantic moods</title>
    <subTitle>: paranoia, trauma, and melancholy, 1790-1840</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Pfau, Thomas.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Thomas Pfau</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">Baltimore</placeTerm>
    </place>
    <publisher>: Johns Hopkins University Press</publisher>
    <dateIssued>, 2005</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xvi, 173 pages : 24cm.</extent>
  </physicalDescription>
  <abstract>"Thomas Pfau reinterprets the evolution of British and German Romanticism as a progress through three successive dominant moods, each manifested in the "voice" of an historical moment. Drawing on a multifaceted philosophical tradition ranging from Kant to Hegel to Heidegger - incorporating as well the psychosocial analyses of Freud, Benjamin, and Adorno - Pfau develops a new understanding of the Romantic writer's voice as the formal encryption of a complex cultural condition." "Pfau focuses on three specific paradigms of emotive experience: paranoia, trauma, and melancholy. Along the trajectory of Romantic thought paranoia characterizes the disintegration of traditional models of causation and representation during the French Revolution; trauma, the radical political, cultural, and economic restructuring of Central Europe in the Napoleonic era; and melancholy, the dominant post-traumatic condition of stalled, post-Napoleonic history both in England and on the continent."</abstract>
  <tableOfContents>Feeling, self-awareness, and aesthetic formalization after Kant
Anxious inspiration : radical knowledge in Godwin and some contemporaries
Paranoia historicized: the dialectics of treason and political representation in 1794
"Long before the time of which I speak" : traumatic history and lyric awakenings, 1800-
Fantasie : the post-modernity of Romantic lyricism and political conservatism
The purest English : serialization, Eros, and melancholy in the early Keats
Melancholy into ressentiment : aesthetic and social provocation in Heine</tableOfContents>
  <note type="statement of responsibility">/Thomas Pfau, </note>
  <subject>
    <topic>Emotions in literature</topic>
  </subject>
  <subject>
    <topic>German literature</topic>
  </subject>
  <subject>
    <topic>Great Britain</topic>
  </subject>
  <subject>
    <topic>German literature</topic>
  </subject>
  <classification authority="ddc">820.9145 PFA</classification>
  <identifier type="isbn">9780801881978</identifier>
  <identifier type="">: Zafaa Books &amp; Distributors : 313/54F, 49A, Anand Nagar, Inderlok, Delhi.</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">231231</recordCreationDate>
    <recordChangeDate encoding="iso8601">20231231162412.0</recordChangeDate>
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