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  <titleInfo>
    <title>Likeness and presence</title>
    <subTitle>: a history of the image before the era of art</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Belting, Hans.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>; Edmund Jephcott</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Hans Belting</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">Chicago</placeTerm>
    </place>
    <publisher>: University of Chicago Press</publisher>
    <dateIssued> , 1994</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xxiv, 651p. : 24cm.</extent>
  </physicalDescription>
  <abstract>Before the Renaissance and Reformation, holy images were treated not as
"art" but as objects of veneration which possessed the tangible presence
of the Holy. In this magisterial book, Hans Belting traces the long
history of the sacral image and its changing role in European culture.
Likeness and Presence looks at the beliefs, superstitions, hopes,
and fears that come into play as people handle and respond to sacred
images, and presents a compelling interpretation of the place of the
image in Western history.

"A rarity within its genre—an art-historical analysis of iconography
which is itself iconoclastic. . . . One of the most intellectually
exciting and historically grounded interpretations of Christian
iconography." —Graham Howes, Times Literary Supplement

"Likeness and Presence offers the best source to survey the facts of
what European Christians put in their churches. . . . An impressively
detailed contextual analysis of medieval objects." —Robin Cormack,
New York Times Book Review

"I cannot begin to describe the richness or the imaginative grandeur of
Hans Belting's book. . . . It is a work that anyone interested in art,
or in the history of thought about art, should regard as urgent reading.
It is a tremendous achievement."—Arthur C. Danto, New Republic</abstract>
  <note type="statement of responsibility">/ Hans Belting.</note>
  <subject>
    <topic>Saints-Cult</topic>
  </subject>
  <subject>
    <topic>Christian art</topic>
  </subject>
  <subject>
    <topic>Symbolism-Medieval, 500-1500</topic>
  </subject>
  <classification authority="ddc">704.948 BEL</classification>
  <identifier type="isbn">9780226042152</identifier>
  <identifier type="">: Technical Bureau : 4794/23, 1st Floor, Ansari Road, Daryaganj, New Delhi</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">260308</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260308213729.0</recordChangeDate>
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