| 000 | 01737nam a22002177a 4500 | ||
|---|---|---|---|
| 005 | 20181203130030.0 | ||
| 008 | 180513b xxu||||| |||| 00| 0 eng d | ||
| 020 | _a9780231147569 | ||
| 028 |
_aInternational Book Distributors _b: Flat No.17, Prakash Apartment, 5 Ansari Road, Daryaganj, New Delhi. _c: 112219 _d: 05/05/2018 |
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| 082 | _a398.204 BAT | ||
| 100 | _aBernard Bate. | ||
| 245 |
_aTamil oratory and the Dravidian aesthetic _b: democratic practice in south India. _c/ Bernard Bate. |
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| 260 |
_aNew York _b : Columbia University Press _c, ©2009. |
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| 300 |
_axxiv, 263 pages _b: illustrations, maps. _c: 22cm. |
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| 365 | _b4713 | ||
| 505 | _aList of Figures and Tables; Preface; Acknowledgments; Introductions; 1. The Dravidian Proper; 2. The King's Red Tongue; 3. Walking Utopia; 4. On Life, Moonlight, and Jasmine; 5. Bhakti and the Limits of Apotheosis; 6. Kavitha's Love; 7. Speech in the Kali Yugam; Afterword; Notes; Appendix: Kavitha's Speech; Glossary; References; Index. | ||
| 520 | _aThis is a book about the newness of old things. It concerns an oratorical revolution, a transformation of oratorical style linked to larger transformations in society at large. It explores the aesthetics of Tamil oratory and its vital relationship to one of the key institutions of modern society: democracy. Therefore this book also bears on the centrality of language to the modern human condition. Though Tamil oratory is a relatively new practice in south India, the Dravidian (or Tamil nationalist) style employs archaic forms of Tamil that suggest an ancient mode of speech. Beginni. | ||
| 655 |
_aPolitics and culture _bLanguage and culture _bFolk literature _bEpic poetry. |
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| 700 | _aBernard Bate. | ||
| 942 | _cBOOK | ||
| 999 |
_c49386 _d49386 |
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