000 02205nam a22002177a 4500
005 20180601145428.0
008 180601b xxu||||| |||| 00| 0 eng d
020 _a9780822359319
028 _aInternational Book Distributors
_b;Flat No.17,Prakash Apartments ,5 Ansari Road ,Daryaganj New Delhi-110002
_c;112268
_d;18/05/2018
082 _a305.23082 COX
100 _aAimee Meredith Cox
245 _aShapeshifters
_b: Black girls and the choreography of citizenship
_c/Aimee Meredith Cox
260 _aDurham
_b: Duke University Press
_c, 2015.
300 _axvi, 280 pages
_c ; 24 cm.
505 _a"We came here to be different": the Brown family and remapping Detroit -- Renovations -- Narratives of protest and play -- Sex, gender, and scripted bodies -- The move experiment.
520 _aIn Shapeshifters Aimee Meredith Cox explores how young Black women in a Detroit homeless shelter contest stereotypes, critique their status as partial citizens, and negotiate poverty, racism, and gender violence to create and imagine lives for themselves. Based on eight years of fieldwork at the Fresh Start shelter, Cox shows how the shelter's residents--who range in age from fifteen to twenty-two--employ strategic methods she characterizes as choreography to disrupt the social hierarchies and prescriptive narratives that work to marginalize them. Among these are dance and poetry, which residents learn in shelter workshops. These outlets for performance and self-expression, Cox shows, are key to the residents exercising their agency, while their creation of alternative family structures demands a rethinking of notions of care, protection, and love. Cox also uses these young women's experiences to tell larger stories: of Detroit's history, the Great Migration, deindustrialization, the politics of respectability, and the construction of Black girls and women as social problems. With Shapeshifters Cox gives a voice to young Black women who find creative and non-normative solutions to the problems that come with being young, Black, and female in America.
650 _aSocial sciences
655 _aAfrican American homeless persons
700 _aAimee Meredith Cox
942 _cBOOK
999 _c49473
_d49473