| 000 | 01262nam a22002297a 4500 | ||
|---|---|---|---|
| 005 | 20180903202323.0 | ||
| 008 | 180903b xxu||||| |||| 00| 0 eng d | ||
| 020 | _a9780415012355 | ||
| 028 |
_aSARAS Books _b;2/31,Ansari Road,Darya Ganj,New Delhi-110002 _c;IN37602 _d;31/08/2018 |
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| 082 | _a791.43094 ELS | ||
| 100 | _aThomas Elsaesser | ||
| 245 |
_aWeimar cinema and after _b: Germany's historical imaginary _c/Thomas Elsaesser |
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| 260 |
_aLondon ; New York _b: Routledge, cop _c. 2000. |
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| 300 |
_aVIII-472 p. _c; 24 cm |
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| 365 | _b2374 | ||
| 505 | _a 1. Haunted Screens, Caligari's Cabinets and a German Studio-System 2. In the Realm of the Look: Lang, Lubitsch, Murnau and Pabst 3. Transparent Duplicities: Comedy, Opera, Operetta 4. After Weimar: Avantgarde and Modernisation, Emigration and Film Noir | ||
| 520 | _aOffering a framework for understanding German film of the 1920s, the author shows how films such as "The Cabinet of Dr Caligari", "Pandora's Box" and "The Blue Angel" are key films in defining a nation uneasy with itself and troubled by a modernity that was to have devastating consequences. | ||
| 650 | _aArts | ||
| 655 |
_aMotion pictures _binéma -- Allemagne -- Histoire. |
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| 700 | _aThomas Elsaesser | ||
| 942 | _cBOOK | ||
| 999 |
_c50121 _d50121 |
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