| 000 | 01449nam a2200265Ia 4500 | ||
|---|---|---|---|
| 005 | 20190117105945.0 | ||
| 008 | 181213s9999 xx 000 0 und d | ||
| 020 | _a9783037784662 | ||
| 028 |
_a: International Book Distrubutors _b.-Flat No 17, Prakash Apartments 5 Ansari Road daryaganj New Delhi 110002 _c112991 _d30/11/2018 |
||
| 082 |
_a749.092 HAR _223 |
||
| 100 | _aHara Ken'ya | ||
| 245 |
_aEx-formation _c/ Ken'ya Hara |
||
| 260 |
_a, Zurich _b:Lars Muller Publishers _c,2015 |
||
| 300 |
_a: 479 pages _c;16cm. |
||
| 365 | _b2451.00 | ||
| 505 | _aRiver (Shimanto River) -- Resort -- Wrinkles -- Plants -- Nudity -- Woman -- Half-Done -- Air -- Pair -- Tokyo. | ||
| 520 | _aFor Kenya Hara, design begins with comprehension of the unknown. In contrast to information, exformation describes how little we really know and thus becomes the starting point for any type of design. Based on a range of projects the book describes what exformation can look like in design practice and how this concept alters our classic understanding of information design. Following the path embarked on in Designing Design (2007) and its successor, White (2010), Exformation continues to explore the void, abscence, and indeterminacy in contemporary design | ||
| 650 | _aDesign | ||
| 650 | _aDesign -- Study and teaching. | ||
| 650 | _aGraphic arts | ||
| 650 | _aVisual perception | ||
| 655 | _bGraphic arts | ||
| 700 | _aHara Ken'ya | ||
| 942 | _cBOOK | ||
| 999 |
_c50601 _d50601 |
||