000			02037nam a22003017a 4500
999			_c51422 _d51422
005			20190702131926.0
008			190702b ||||| |||| 00| 0 eng d
020			_a9781526122872
028			_a:Segment Book Distributors _b:22, Prakash Deep 1st Floor Delhi Medical Association Road Daryaganj New Delhi _c:58258 _d:29/06/2019
082			_a741.569 MAI
100			_a Maidment, Brian
245			_aComedy, Caricature and the Social Order 1820-50 _c/ Brian Maidment
260			_aUK _bManchester University Press . _c2017
300			_ax, 244p. _c24cm.
365			_b2808
505			_aPart 1: Regency and early Victorian graphic humour: Modes and markets1 'Graphic bric-a-brac'? Approaching early nineteenth-century graphic humour2 Regency visual culture in the market place 3 Continuity, change and innovation in Regency and early Victorian comic print culturePart 2: The social vision of Regency and early Victorian comic visual culture4 Reflections in a print shop window: the politics of the public image5 Robert Seymour: a jobbing artist in the marketplace 6 The 'march of intellect' as a comic event: mockery, heroism and social change7 Revisiting the Regency: Punch's dustmenIndex -
520			_aIn offering an overview of the market for comic images between 1820 and 1850, this book makes a case for the importance of a largely neglected area of visual culture. It draws on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures.
650			_aArts
650			_aGraphic arts
650			_aGraphic arts & decorative arts
650			_a Drawing & drawings
650			_aCaricatures and cartoons -- Great Britain -- History -- 19th century.
650			_aCaricatures and cartoons -- Social aspects -- Great Britain -- History -- 19th century -- Case studies.
650			_aCaricatures and cartoons -- Social aspects.
650			_aGreat Britain.
700			_a Maidment Brian
942			_cBOOK