000			02940nam a22003137a 4500
999			_c56026 _d56026
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008			191203b ||||| |||| 00| 0 eng d
020			_a9789386552679
028			_a;Variety Books Publishers & Distributors _b:B-10 Street No 2 West Vinod Nagar Delhi 110092 _c:IM2614 _d:22/11/2019
082			_a791.430 BEA
100			_aBean, Jennifer M.
245			_aSilent cinema and the politics of space _c/ Jennifer M Bean
260			_aBloomington, Indiana _b: Indiana University Press, _c©2014
300			_ax, 346 pages _c24cm.
365			_b1495
505			_a Introduction / Jennifer M. Bean -- Picturing Space. Introduction / Anupama Kapse -- Location, "Location": On the Plausibility of Place Substitution / Mark B. Sandberg -- Insurgent Place as Visual Space: Location Shots and Rival Geographies of 1857 Lucknow / Priya Jaikumar -- Prints in Motion. Introduction / Jennifer M. Bean -- An Afterlife for Junk Prints: Serials and other 'Classics' in late 1920s Tehran / Kaveh Askari -- Robespierre Has Been Lost: D.W. Griffith's Movies and the Soviet Twenties / Yuri Tsivian -- Translations and Transportation: Toward a Transnational History of the Intertitle / Laura Isabel Serna -- Impertinent Appropriations Introduction / Anupama Kapse -- From "Misemono" to Zigomar: A Discursive History of Early Japanese Cinema / Aaron Gerow -- The Crisscrossed Stare: Chinese Protest and Propaganda in the Not-So-Silent Era / Yiman Wang -- Around the World in 80 Minutes: Douglas Fairbanks and the Indian Stunt Film / Anupama Kapse -- Cosmopolitan Sexualities and Female Stars. Introduction / Jennifer M. Bean -- National Soul/Cosmopolitan Skin: Swedish Cinema at a Crossroads / Jan Olsson -- Queer Crossings: Greta Garbo, National Identity, and Gender Deviance / Laura Horak -- Cosmopolitan Women: Marlene Dietrich, Anna May Wong, and Leni Riefenstahl / Patrice Petro
520			_a In this cross-cultural history of narrative cinema and media from the 1910s to the 1930s, leading and emergent scholars explore the transnational crossings and exchanges that occurred in early cinema between the two world wars. Drawing on film archives from around the world, this volume advances the premise that silent cinema freely crossed national borders and linguistic thresholds in ways that became far less possible after the emergence of sound. These essays address important questions about the uneven forces-geographic, economic, political, psychological, textual, and experiential-that un.
650			_aArts
650			_a Sports, games & entertainment
650			_aPublic performances
650			_aSilent films -- History and criticism
650			_aPERFORMING ARTS -- Reference.
650			_aPERFORMING ARTS -- Film & Video -- History & Criticism
650			_aSilent films.
700			_aBean, Jennifer M
700			_aHorak, Laura;
700			_aKapse, Anupama
942			_cBOOK