000			03136nam a22002417a 4500
999			_c56401 _d56401
005			20200221144603.0
008			200221b ||||| |||| 00| 0 eng d
020			_a9780262536103
028			_aAtlantic Publishers & Distributors (P) Ltd. _b;7/22,Ansari Road ,Darya Ganj,New Delhi-110002 _c;1109396 _d;13/02/2020
082			_a681.61 MUL
100			_aThomas S Mullaney
245			_aThe Chinese typewriter _b: a history _c/Thomas S Mullaney
260			_aCambridge, Massachusetts _b: The MIT Press _c, 2017
300			_axiv, 481 pages _c; 24 cm
365			_b1421
490			_aStudies of the Weatherhead East Asian Institute, Columbia University.
505			_aIntroduction : There is no alphabet here -- Incompatible with modernity -- Puzzling Chinese -- Radical machines -- What do you call a typewriter with no keys? -- Controlling the Kanjisphere -- QWERTY is dead! Long live QWERTY! -- The typing rebellion -- Conclusion : Toward a history of Chinese computing and the age of input -- Table of archives -- Biographies of key historical persons -- Character glossary.
520			_aChinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters -- in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for "Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained "typewriter girls" and "typewriter boys." Still later was the "Double Pigeon" typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an arrangement method that was the first instance of "predictive text." Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an "object history" but grappling with broad questions of technological change and global communication, shows how this happened
650			_aTypewriters, Chinese -- History.
655			_aChinese language -- Writing -- History.
700			_aThomas S Mullaney
942			_cBOOK