000			03053nam a22002537a 4500
005			20230324110910.0
008			230324b |||||||| |||| 00| 0 eng d
020			_a9781421421346
028			_a: Zafaa Books & Distributors _b: 313/56F,Anand Nagar, Inderlok, Delhi-110035 _c: ZBD0665 _d: 18/03/2023
082			_a810.9112 BRI
100			_aBrinkman, Bartholomew.
245			_aPoetic modernism in the culture of mass print _c/ Brinkman Bartholomew.
260			_a, Baltimore _b:Johns Hopkins University Press _c, 2017.
300			_aix, 272 pages _c:24cm.
365			_b6440
505			_aCover; Half-title; Title; Copyright; Contents; Acknowledgments; Introduction: Modern Poetry, Cultures of Collecting, and the Mediation of Mass Print; 1 As Good as Gold: Palgrave's Golden Treasury, Poetic Value, and the Objective Anthology; 2 Making Modern Poetry: Format, Form, and Modern Poetic Genre; 3 Scrapping Modernism: Marianne Moore and the Making of the Modern Collage Poem; 4 Selecting Modernism: Eliot, Faber, and Poetic Reproduction; 5 Instituting Modernism: The Rise of the Modern American Poetry Archive; Coda: Remaking Poetic Modernism after a Culture of Mass Print; Notes
520			_a"In Poetic Modernism in the Culture of Mass Print, Bartholomew Brinkman argues that an emerging mass print culture conditioned the production, reception, and institutionalization of poetic modernism from the latter part of the nineteenth century through the middle of the twentieth century--with lasting implications for the poetry and media landscape. Drawing upon extensive archival research in the United States and Britain, Brinkman demonstrates that a variety of print collecting practices--including the anthology, the periodical, the collage poem, volumes of selected and collected poems, and the modern poetry archive--helped structure key formal and institutional sites of poetic modernism. Brinkman focuses on the generative role of book collecting practices and the negotiation of print ephemera in scrapbooks. He also traces the evolution of the modern poetry archive as a particular case of the mid-twentieth-century rise of literary archives and identifies parallels between the beginning of mass print culture at the end of the nineteenth century and the growth of digital culture today. Advocating for a transatlantic modernism that stretches roughly from 1880 to 1960--one that incorporates both popular and canonical poets--Brinkman successfully extends the geographical, historical, and vertical dimensions of modernist studies. Poetic Modernism in the Culture of Mass Print will appeal not only to scholars and students of literary modernism, modern periodical studies, book history, print culture, media studies, history, art history, and museum studies but also to librarians, archivists, museum curators, and information science professionals"
650			_aAmerican poetry
650			_aEnglish poetry
650			_aLiterature Philosophy
650			_aModernism (Literature)
700			_aBartholomew Brinkman
942			_cBOOK
999			_c60076 _d60076