000			02899nam a22002537a 4500
005			20230507184638.0
008			230507b |||||||| |||| 00| 0 eng d
020			_a9780691196930
028			_a: Zafaa Books & Distributors _b: 313/56F,49A, Anand Nagar, Inderlok, Delhi. _c: ZBD0050 _d: 01/05/2023
082			_a810.989 HAC
100			_aHack, Daniel.
245			_aReaping something new _b: African American transformations of Victorian literature. _c/ Daniel Hack.
260			_a, New Jersey _b: Princeton University Press, Princeton _c, 2017.
300			_axiii, 284 pages _b: illustrations _c: 24cm.
365			_b1630
505			_a Introduction: The African Americanization of Victorian literature Close reading Bleak House at a distance (Re- )racializing "The Charge of the Light Brigade" Affiliating with George Eliot Racial mixing and textual remixing: Charles Chesnutt Cultural transmission and transgression: Pauline Hopkins The citational soul of Black folk: W.E.B. Du Bois Afterword: After Du Bois Notes Bibliography Index
520			_aTackling fraught but fascinating issues of cultural borrowing and appropriation, this groundbreaking book reveals that Victorian literature was put to use in African American literature and print culture in the nineteenth and early twentieth centuries in much more intricate, sustained, and imaginative ways than previously suspected. From reprinting and reframing "The Charge of the Light Brigade" in an antislavery newspaper to reimagining David Copperfield and Jane Eyre as mixed-race youths in the antebellum South, writers and editors transposed and transformed works by the leading British writers of the day to depict the lives of African Americans and advance their causes. Central figures in African American literary and intellectual history--including Frederick Douglass, Frances Ellen Watkins Harper, Charles Chesnutt, Pauline Hopkins, and W.E.B. Du Bois--leveraged Victorian literature and this history of engagement itself to claim a distinctive voice and construct their own literary tradition. In bringing these transatlantic transfigurations to light, this book also provides strikingly new perspectives on both canonical and little-read works by Charles Dickens, George Eliot, Tennyson, and other Victorian authors. The recovery of these works' African American afterlives illuminates their formal practices and ideological commitments, and forces a reassessment of their cultural impact and political potential. Bridging the gap between African American and Victorian literary studies, Reaping Something New changes our understanding of both fields and rewrites an important chapter of literary history provider's description
650			_aAmerican literature
650			_aAppropriation
650			_aEsclavage Abolition
650			_aCriticism and interpretation
700			_aDaniel Hack
942			_cBOOK
999			_c60230 _d60230