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020 _a9780812217674
028 _a: Zafaa Books & Distributors
_b: 313/56F, 49A, Anand Nagar, Inderlok, new Delhi.
_c: ZBD0060
_d09/05/2023
082 _a810.9 GIL
100 _aGiles, Paul.
245 _aTransatlantic insurrections
_b : British culture and the formation of American literature, 1730-1860.
_c/ Paul Giles.
260 _a, Philadelphia
_b: University of Pennsylvania Press
_c, ©2001.
300 _a262 pages.
_c: 24cm.
365 _b2400
505 _aIntroduction. British-American literature: paradoxical constitutions, civil wars The art of sinking: Alexander Pope and Mather Byles Topsy-turvy neoclassicism: the Connecticut wits From allegory to exchange: Richardson and Franklin The culture of sensibility: Jefferson, Sterne, and Burke "Another world must be unfurled": Jane Austen and America Burlesques of civility: Washington Irving Perverse reflections: Hawthorne and Trollope Conclusion. Transatlantic perspectives: Poe and Equiano
520 _aSelected byChoicemagazine as an Outstanding Academic Title for 2001Paul Giles traces the paradoxical relations between English and American literature from 1730 through 1860, suggesting how the formation of a literary tradition in each national culture was deeply dependent upon negotiation with its transatlantic counterpart. Using the American Revolution as the fulcrum of his argument, Giles describes how the impulse to go beyond conventions of British culture was crucial in the establishment of a distinct identity for American literature. Similarly, he explains the consolidation of British cultural identity partly as a response to the need to suppress the memory and consequences of defeat in the American revolutionary wars. Giles ranges over neglected American writers such as Mather Byles and the Connecticut Wits as well as better-known figures like Franklin, Jefferson, Irving, and Hawthorne. He reads their texts alongside those of British authors such as Pope, Richardson, Equiano, Austen, and Trollope. Taking issue with more established utopian narratives of American literature, Transatlantic Insurrectionsanalyzes how elements of blasphemous, burlesque humor entered into the making of the subject
650 _aHistory
650 _aInternational relations
650 _aAmerican literature
650 _aCivilization British influences
700 _aPaul Giles.
942 _cBOOK
999 _c60254
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