| 000 | 02349nam a22002657a 4500 | ||
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| 005 | 20230905105610.0 | ||
| 008 | 230905b |||||||| |||| 00| 0 eng d | ||
| 020 | _a9780745335971 | ||
| 028 |
_a: Raghav Books Pvt. Ltd. _b: A-184, A, Nand Gram, Ghaziabad, UP. _c: 3998 _d: 29/08/2023 |
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| 082 | _a708 BAL | ||
| 100 | _aBalzer, David. | ||
| 245 |
_aCurationism _b : how curating took over the art world and everything else. _c/ David Balzer. |
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| 260 |
_a, London _b: Pluto Press _c, 2015. |
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| 300 |
_avii,135p. _c: 22cm. |
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| 365 | _b1254 | ||
| 505 | _a Cover Contents Introduction Prologue: Who is HUO? Part 1: Value Part 2: Work Acknowledgements About the Author | ||
| 520 | _aNow that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. At the same time, curatorial studies programs continue to grow in popularity, and businesses are increasingly adopting curation as a means of adding value to content and courting demographics. Everyone, it seems, is a now a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this incisive and original study, critic David Balzer travels through art history and around the globe to explore the cult of curation - where it began, how it came to dominate museums and galleries, and how it was co-opted at the turn of the millennium as the dominant mode of organizing and giving value to content. At the centre of the book is a paradox: curation is institutionalized and expertise-driven like never before, yet the first independent curators were not formally trained, and any act of choosing has become 'curating.' Is the professional curator an oxymoron? Has curation reached a sort of endgame, where its widespread fetishization has led to its own demise? | ||
| 650 | _aArt | ||
| 650 | _aArt History | ||
| 650 | _aCuratorship History | ||
| 650 | _aHistory | ||
| 650 | _aLibraries and Museums | ||
| 700 | _aDavid Balzer. | ||
| 942 | _cBOOK | ||
| 999 |
_c60798 _d60798 |
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