000			01863nam a22002417a 4500
005			20230911133218.0
008			230911b |||||||| |||| 00| 0 eng d
020			_a9780822353690
028			_a: International Book Distributors _b: Flat No. 17, Prakash Apartment Building No. 4405/5,5 Ansari Road, Daryaganj, New Delhi. _c: 119615 _d: 26/08/2023
082			_a707.22 MOX
100			_aMoxey, Keith P. F.
245			_aVisual time _b: the image in history. _c/ Keith P. F. Moxey.
260			_a, Durham _b: Duke University Press _c, 2013.
300			_a xiii, 207 pages _b: illustrations (some color) _c ; 24 cm.
365			_b1613
520			_a"Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization--demonstrating how each work influences the next as part of a linear sequence--which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past."
650			_aArt Historiography
650			_aKunst
650			_aTime and art
650			_aZeit
700			_aKeith P. F. Moxey.
942			_cBOOK
999			_c60843 _d60843