| 000 | 01443nam a22002417a 4500 | ||
|---|---|---|---|
| 005 | 20230911134039.0 | ||
| 008 | 230911b |||||||| |||| 00| 0 eng d | ||
| 020 | _a9780262529341 | ||
| 028 |
_a: International Book Distributors _b: Flat No. 17, Prakash Apartment Building No. 4405/5,5 Ansari Road, Daryaganj, New Delhi. _c; 119615 _d: 26/08/2023 |
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| 082 | _a709.04 WHI | ||
| 100 | _aWhitechapel Art Gallery. | ||
| 245 |
_aInformation _c/ Whitechapel Art Gallery. |
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| 260 |
_a, London _b; Whitechapel Gallery _c, 2016. |
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| 300 |
_a237 pages _c; 21 cm. |
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| 365 | _b1493 | ||
| 520 | _aWhile information science draws distinctions between "information," signals, and data, artists from the 1960s to the present have questioned the validity and value of such boundaries. Artists have investigated information's materiality, in signs, records, and traces; its immateriality, in hidden codes, structures, and flows; its embodiment, in instructions, social interaction, and political agency; its overload, or uncontrollable excess, challenging utopian notions of networked society; its potential for misinformation and disinformation, subliminally altering our perceptions; and its post-digital unruliness, unsettling fixed notions of history and place. | ||
| 650 | _aArt and Design | ||
| 650 | _aBeeldende kunsten | ||
| 650 | _aInformation behavior | ||
| 650 | _a21st century Modern Art | ||
| 700 | _aSarah Cook. | ||
| 942 | _cBOOK | ||
| 999 |
_c60844 _d60844 |
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