| 000 | 01763nam a22002417a 4500 | ||
|---|---|---|---|
| 005 | 20240521105519.0 | ||
| 008 | 240521b |||||||| |||| 00| 0 eng d | ||
| 020 | _a9780262544818 | ||
| 028 |
_a: International Books Distributor _b: Flat No. 17, Prakash Apartment, 4405/2, 5, Ansari Road, Daryaganj, New Delhi _c: 120440 _d: 10/05/2024 |
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| 082 | _a005.130 BLA | ||
| 100 | _aBlackwell, Alan F. | ||
| 100 | _a;Cocker, Emma. | ||
| 245 |
_aLive Coding _b: A User's Manual. _c/Alan F. Blackwell. |
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| 260 |
_a, London _b: The MIT Press _c, 2022. |
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| 300 |
_axv, 329p. _c: 24cm. |
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| 365 | _b2119 | ||
| 520 | _aPerformative, improvised, on the fly: live coding is about how people interact with the world and each other via code. In the last few decades, live coding has emerged as a dynamic creative practice gaining attention across cultural and technical fields—from music and the visual arts through to computer science. Live Coding: A User’s Manual is the first comprehensive introduction to the practice, and a broader cultural commentary on the potential for live coding to open up deeper questions about contemporary cultural production and computational culture. This multi-authored book—by artists and musicians, software designers, and researchers—provides a practice-focused account of the origins, aspirations, and evolution of live coding, including expositions from a wide range of live coding practitioners. In a more conceptual register, the authors consider liveness, temporality, and knowledge in relation to live coding, alongside speculating on the practice’s future forms. | ||
| 650 | _aPerformative | ||
| 650 | _acreative practice | ||
| 650 | _amusic and the visual arts | ||
| 700 | _aAlan F. Blackwell | ||
| 942 | _cBOOK | ||
| 999 |
_c61690 _d61690 |
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