| 000 | 01642nam a22002297a 4500 | ||
|---|---|---|---|
| 005 | 20241018105929.0 | ||
| 008 | 241018b |||||||| |||| 00| 0 eng d | ||
| 020 | _a9780999157008 | ||
| 028 |
_a: Raghav Books Pvt. Ltd. _b: A-184, A Nand Gram, Ghaziabad, Ghaziabad |
||
| 082 | _a320.60 SEV | ||
| 100 | _aSeveri, Carlo. | ||
| 245 |
_aCapturing Imagination _b: A Proposal for an Anthropology of Thought. |
||
| 260 |
_a, Paris _b: Hau Books _c,2020. |
||
| 300 |
_axxiii, 360p. _c: 28cm. |
||
| 365 | _b5141 | ||
| 520 | _aWe have all found ourselves involuntarily addressing inanimate objects as though they were human. For a fleeting instant, we act as though our cars and computers can hear us. In situations like ritual or play, objects acquire a range of human characteristics, such as perception, thought, action, or speech. Puppets, dolls, and ritual statuettes cease to be merely addressees and begin to address us―we see life in them. How might we describe the kind of thought that gives life to the artifact, making it memorable as well as effective, in daily life, play, or ritual action? Following The Chimera Principle, in this collection of essays Carlo Severi explores the kind of shared imagination where inanimate artifacts, from non-Western masks and ritual statuettes to paintings and sculptures in our own tradition, can be perceived as living beings. This nuanced inquiry into the works of memory and shared imagination is a proposal for a new anthropology of thought. | ||
| 650 | _aCapturing Imagination | ||
| 650 | _aAnthropology | ||
| 650 | _aAnthropology of Thought | ||
| 700 | _aCarlo Severi. | ||
| 942 | _cBOOK | ||
| 999 |
_c62497 _d62497 |
||