000			01703nam a22002297a 4500
005			20241203145703.0
008			241203b |||||||| |||| 00| 0 eng d
020			_a9781478030355
028			_a: Technical Bureau India Pvt. Ltd. _b: 4794/23, 1st Floor, Opp.-Eye7, Ansari Road, New Delhi _c: TB2731 _d: 26/11/2024
082			_a778 TAY
100			_aTaylor, Timothy D.
245			_aMaking Value _b: Music, Capital, and the Social. _c/ Timothy D. Taylor.
260			_a, London _b: Duke University Press _c, 2024.
300			_ax, 230p. _c: 24cm.
365			_b1645
520			_aIn Making Value, Timothy D. Taylor examines how people’s conceptions of value inform and shape their production and consumption of music. Drawing on anthropological value theory, Taylor theorizes music’s economic and noneconomic forms of value both ethnographically and historically. He covers the creation and exchange of value in a wide range of contexts: indie rock scenes, an Irish traditional music session, the work of music managers, how supply chains function to create various forms of value, how trendspotters seek out and create value, and how musical performances act as media of value. Taylor shows that to focus on value is to attend to what is meaningful to people as they move through their worlds. Ultimately, Taylor demonstrates that theorizing value aids us in moving beyond the music itself toward understanding how musicians, workers in the music business, and audiences struggle to make and maintain what they value.
650			_aProduction and consumption of music
650			_aIndie rock scenes
650			_a Traditional music session
700			_aTimothy D. Taylor
942			_cBOOK
999			_c62584 _d62584