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020 _a9780691160962
028 _a: Technical Bureau India Pvt. Ltd.
_b: 4794/23, 1st Floor, Ansari Road, Daryaganj, New delhi.
_c: TB4111
_d: 17/03/2026
082 _a301 BEL
100 _aBelting, Hans.
100 _a;Dunlap, Thomas R.
245 _aAn Anthropology of Images
_b: Picture, Medium, Body.
_c/ Hans Belting.
260 _aNew Jersey
_b : Princeton University Press
_c, 2014.
300 _a207 p. ill.
_c: 24cm.
365 _b2352
520 _aIn this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function. The book demonstrates these ideas with a series of compelling case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two "media of the body," the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.
650 _aVisual sociology
650 _aVisual anthropology
650 _aEthnology in art
700 _a Hans Belting
942 _cBOOK
999 _c67332
_d67332