Crafting the woman professional in the long nineteenth century : artistry and industry in Britain /Kyriaki Hadjiafxendi

By: Kyriaki Hadjiafxendi ; Patricia ZakreskiContributor(s): Patricia ZakreskiMaterial type: TextTextPublisher number: Atlantic Publishers & Distributors (P) Ltd. | ;7/22,Ansari Road ,Darya Ganj,New Delhi-110002Publication details: Burlington : Ashgate ,2013Description: xx,286 Pages ;24 cmISBN: 9781138276680Subject(s): Social SciencesGenre/Form: Middle class women -- Employment -- Great Britain -- History -- 19th century.DDC classification: 305.4822 HAD
Contents:
List of illustrations -- Notes on contributors -- Foreword / Linda Peterson -- Introduction -- Industrious amateurism -- Women's work : the history of the Victorian domestic handicraft / Talia Schaffer -- Light work : feminine leisure and the making of transparencies / John Plunkett -- Pertinacious industry : the keyboard étude and the female amateur in E ngland, 1804-20 / Elizabeth Morgan -- Dresses and drapery : female self-fashioning in muslin, 1800-50 / Alice Barnaby -- The artistic career -- Contrary to the habits of their sex? : women drawing on wood and the careers of Florence and Adelaide Claxton / Catherine Flood -- The China painter : amateur celebrities and professional status at Howell and James "Royal Academy of China painting" / Anne Anderson -- Creative industry : design, art education and the woman professional / Patricia Zakreski -- Dorothy's career and other cautionary tales / Pamela Gerrish Nunn -- The craft of self-fashioning -- Negotiating fame : mid-Victorian women writers and the romantic myth of the gentlemanly reviewer / Kyriaki Hadjiafxendi -- Towards an iconography of ouida as a woman artist / Andrew King -- "Mady's tightrope walk" : the career of Marian Huxley Collier / Valerie Sanders -- Living art : Michael Field, aestheticism and dress / Ana Parejo Vadillo.
Summary: Over the course of the nineteenth century, women in Britain participated in diverse and prolific forms of artistic labour. How women faced the pragmatics of their own creative labour as they pursued vocations, trades and professions in the domestic handicraft movements, music, design, commercial illustration, china painting, and authorship reveals the different ideological positions surrounding the transition of women from industrious amateurism to professional artistry.
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Item type Current library Call number Status Date due Barcode Item holds
Books Books SNU LIBRARY
305.4822 HAD (Browse shelf(Opens below)) Not For Loan 27101
Total holds: 0

List of illustrations --
Notes on contributors --
Foreword / Linda Peterson --
Introduction --
Industrious amateurism --
Women's work : the history of the Victorian domestic handicraft / Talia Schaffer --
Light work : feminine leisure and the making of transparencies / John Plunkett --
Pertinacious industry : the keyboard étude and the female amateur in E ngland, 1804-20 / Elizabeth Morgan --
Dresses and drapery : female self-fashioning in muslin, 1800-50 / Alice Barnaby --
The artistic career --
Contrary to the habits of their sex? : women drawing on wood and the careers of Florence and Adelaide Claxton / Catherine Flood --
The China painter : amateur celebrities and professional status at Howell and James "Royal Academy of China painting" / Anne Anderson --
Creative industry : design, art education and the woman professional / Patricia Zakreski --
Dorothy's career and other cautionary tales / Pamela Gerrish Nunn --
The craft of self-fashioning --
Negotiating fame : mid-Victorian women writers and the romantic myth of the gentlemanly reviewer / Kyriaki Hadjiafxendi --
Towards an iconography of ouida as a woman artist / Andrew King --
"Mady's tightrope walk" : the career of Marian Huxley Collier / Valerie Sanders --
Living art : Michael Field, aestheticism and dress / Ana Parejo Vadillo.


Over the course of the nineteenth century, women in Britain participated in diverse and prolific forms of artistic labour. How women faced the pragmatics of their own creative labour as they pursued vocations, trades and professions in the domestic handicraft movements, music, design, commercial illustration, china painting, and authorship reveals the different ideological positions surrounding the transition of women from industrious amateurism to professional artistry.

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