French Moves : the cultural politics of le hip hop / Felicia M McCarren

By:

McCarren, Felicia M

Contributor(s):

McCarren, Felicia M

Material type: Text

9780199939978

Subject(s):

DDC classification:

793.3 MCC

Contents:

ntroduction -- Politics and poetics : Hip hop citizens: politics, culture and performance ; Hip hop "speaks" French: Droit de Citer ; Hip hop as postcolonial representation: Farid Berki's Invisible Armada and Exodust -- Techniques and technologies : Dancing in and out of the box: Franck II Louise's Drop It! and Compagnie Choream's Epsilon ; Breaking history: Hélène Cixous' L'histoire terrible mais inachevée de Norodom Sihanouk, Roi du Cambodge and Yiphun Chiem's Apsara ; Techniques: French urban dance in intellectual context conclusion.

Summary: This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration.

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Holdings
Item type	Current library	Call number	Status	Notes	Barcode
Books	SNU LIBRARY	793.3 MCC (Browse shelf(Opens below))	Not For Loan	Faculty Development Programme ( Art & Design Dept ) Mrs Aadya Kaktikar	26363

Total holds: 0

ntroduction --
Politics and poetics : Hip hop citizens: politics, culture and performance ; Hip hop "speaks" French: Droit de Citer ; Hip hop as postcolonial representation: Farid Berki's Invisible Armada and Exodust --
Techniques and technologies : Dancing in and out of the box: Franck II Louise's Drop It! and Compagnie Choream's Epsilon ; Breaking history: Hélène Cixous' L'histoire terrible mais inachevée de Norodom Sihanouk, Roi du Cambodge and Yiphun Chiem's Apsara ; Techniques: French urban dance in intellectual context conclusion.

This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration.

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