Visual art and education in an era of designer capitalism : deconstructing the oral eye. / Jan Jagodzinski.
Material type:
TextPublisher number: ; International Book Distributors | : Flat No. 17, Prakash Apartment Building No. 4405/5,5 Ansari Road, Daryaganj, New Delhi.Publication details: , New York : Palgrave Macmillan , 2010.Description: ix, 256 pages : illustrations ; 22 cmISBN: - 9780230618800
- 701 JAG
| Item type | Current library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
Books
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SNU LIBRARY | 701 JAG (Browse shelf(Opens below)) | Not For Loan | 29554 | |
Books
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SNU LIBRARY | 701 JAG (Browse shelf(Opens below)) | Available | 29555 |
Situating the oral eye in designer capitalism
The fundamental antagonism of art & design
Historical antecedents : the rise of the unconscious in artistic practice
On visual regimes and their shadows
Visual cultural studies and its discontents
An avant-garde without authority : can art (still) be progressive?
The force of art : post-situationism
Alain Badiou's challenge to art education : the truth of art, the art of truth
Between creativity and innovation? how to become a traitor in art education
Between Deleuze/Badiou : the event
The art diagrammatic and in(design) : affective encounters
From eye-world to brain-eye : self-refleXivity in art and its education
"The oral eye is a metaphor for the dominance of global designer capitalism. It refers to the consumerism of a designer aesthetic by the 'I' of the neoliberalist subject, as well as the aural soundscapes that accompany the hegemony of the capturing attention through screen cultures. An attempt is made to articulate the historical emergence of such a synoptic machinic regime drawing on Badiou, Bellmer, Deleuze, Guattari, Lacan, Rancir̀ˆe, Virilio, Ziarek, and Zizek to explore contemporary art (post-Situationism) and visual cultural education. Jagodzinski develops the concept of an 'avant-garde without authority, ' 'self-refleXion' and 'in(design)' to further the questions surrounding the posthuman as advanced by theorists such as Hansen, Stiegler and Ziarek's 'force' of art"
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