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Live Coding : A User's Manual. /Alan F. Blackwell.

By: Contributor(s): Material type: TextTextPublisher number: : International Books Distributor | : Flat No. 17, Prakash Apartment, 4405/2, 5, Ansari Road, Daryaganj, New DelhiPublication details: , London : The MIT Press , 2022.Description: xv, 329p. : 24cmISBN:
  • 9780262544818
Subject(s): DDC classification:
  • 005.130 BLA
Summary: Performative, improvised, on the fly: live coding is about how people interact with the world and each other via code. In the last few decades, live coding has emerged as a dynamic creative practice gaining attention across cultural and technical fields—from music and the visual arts through to computer science. Live Coding: A User’s Manual is the first comprehensive introduction to the practice, and a broader cultural commentary on the potential for live coding to open up deeper questions about contemporary cultural production and computational culture. This multi-authored book—by artists and musicians, software designers, and researchers—provides a practice-focused account of the origins, aspirations, and evolution of live coding, including expositions from a wide range of live coding practitioners. In a more conceptual register, the authors consider liveness, temporality, and knowledge in relation to live coding, alongside speculating on the practice’s future forms.
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Item type Current library Call number Status Barcode
Books Books SNU LIBRARY 005.130 BLA (Browse shelf(Opens below)) Available 30193
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Performative, improvised, on the fly: live coding is about how people interact with the world and each other via code. In the last few decades, live coding has emerged as a dynamic creative practice gaining attention across cultural and technical fields—from music and the visual arts through to computer science. Live Coding: A User’s Manual is the first comprehensive introduction to the practice, and a broader cultural commentary on the potential for live coding to open up deeper questions about contemporary cultural production and computational culture. This multi-authored book—by artists and musicians, software designers, and researchers—provides a practice-focused account of the origins, aspirations, and evolution of live coding, including expositions from a wide range of live coding practitioners. In a more conceptual register, the authors consider liveness, temporality, and knowledge in relation to live coding, alongside speculating on the practice’s future forms.

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