Real birds in imagined gardens (Record no. 56376)

MARC details
000 -LEADER
fixed length control field 02230nam a22003017a 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20200309113411.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200206b ||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781606065181
028 ## - DISTRIBUTOR NAME
Distributor Name :Brijwasi Book Distributors
Distributor address ;H-87, Lalita Park laxmi Nagar Delhi 110092
Bill Number :BW/005689
Bill Date :27/01/20
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 759.54 SIN
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Singh, Kavita
245 ## - TITLE STATEMENT
Title Real birds in imagined gardens
Remainder of title : Mughal painting between Persia and Europe
Statement of responsibility, etc / Singh, Kavita,
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Los Angeles, California
Name of publisher, distributor, etc : Getty Research Institute, Getty Publications,
Date of publication, distribution, etc 2017
300 ## - PHYSICAL DESCRIPTION
Extent vii, 107 pages : color illustrations ;
Dimensions 21 cm
365 ## - TRADE PRICE
Price amount 1444
490 ## - SERIES STATEMENT
Series statement Getty Research Institute Council lecture series
505 ## - FORMATTED CONTENTS NOTE
Contents note Real Birds in Imagined Gardens publishes Kavita Singh's lecture titled Looking East, Looking West: Mughal Painting between Persia and Europe, held at the Getty Center on 19 November 2015" -- title page verso.
520 ## - SUMMARY, ETC.
Summary, etc Mughal painting is said to have begun in the mid-16th century as an offshoot of Persian painting. Within a few decades, however, Mughal art was transformed by European Renaissance art. Most accounts of Mughal painting trace a straightforward "evolutionary" path, with Mughal artists abandoning the Persianate style in favor of a European one. But in her essay, Singh demonstrates that the history of Mughal painting is by no means linear. During the reigns of the emperors Akbar (1556-1605) and Jahangir (1605-27), Mughal painting underwent repeated cycles of adoption, rejection, revival of both Persian and European styles. Singh suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. By methodically unraveling this entangled history of politics and style, Singh explores new ways of understanding the significance of naturalism and stylization in Mughal art." -- Provided by publisher.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Arts
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Painting & paintings
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Islamic painting
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Painting, Renaissance -- Europe -- Influence
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Islamic painting -- India -- History
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Painting, Mogul Empire -- History
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Mogulreich
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Singh, Kavita,
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Date acquired Source of acquisition Cost, normal purchase price Total Checkouts Total Renewals Full call number Barcode Date last seen Date checked out Price effective from Koha item type
    Dewey Decimal Classification   Not For Loan SNU LIBRARY SNU LIBRARY 06/02/2020 Brijwasi Book Distributors 1444.00 1 1 759.54 SIN 27349 15/09/2025 13/09/2025 06/02/2020 Books

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