Performance Prspectives (Record no. 58667)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05191nam a22002657a 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20211217130711.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 211210b ||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780230243460 |
| 028 ## - DISTRIBUTOR NAME | |
| Distributor Name | :Technical Bureau India Pvt. Ltd. |
| Distributor address | ;E/261, Shastri Nagar Delhi |
| Bill Number | :TB4718 |
| Bill Date | :26/11/2021 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791 PIT |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Pitches, Jonathan, |
| 245 ## - TITLE STATEMENT | |
| Title | Performance Prspectives |
| Remainder of title | : a critical introduction |
| Statement of responsibility, etc | / Jonathan Pitches |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | New York : |
| Name of publisher, distributor, etc | Palgrave Macmillan, |
| Date of publication, distribution, etc | 2011 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xx, 244 pages : illustrations |
| Dimensions | ; 24 cm |
| 365 ## - TRADE PRICE | |
| Price amount | 2729 |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Contents note | Ch. 1. Introduction / Jonathan Pitches --<br/>Performance perspectives --<br/>Borth Bench --<br/>Summary --<br/>Chapter summaries --<br/>Activities --<br/>Further reading --<br/>ch. 2. Body / introduced and edited by Anna Fenemore --<br/>Introduction --<br/>2.1. Any body? The multiple bodies of the performer / Victor Ramirez Ladron de Guevara --<br/>The textual body --<br/>The lived body --<br/>The ecstatic (or fleshly) body --<br/>The recessive (or visceral) body --<br/>The unnatural body --<br/>The imagined body --<br/>2.2. Some body and no body: the body of a performer / Wendy Houston --<br/>Some body --<br/>No body --<br/>A somebody or a nobody --<br/>The 'at risk' body --<br/>The ageing body --<br/>2.3. Every body: performance's other bodies / Anna Fenemore --<br/>Some bodies observed --<br/>The spectating body --<br/>The social body --<br/>The uncomfortable body --<br/>The absent body --<br/>The transformed body --<br/>The irreplaceable body --<br/>Activities --<br/>Further reading --<br/>ch. 3. Space / introduced and edited by Scott Palmer --<br/>Introduction --<br/>Contents note continued: 3.1. Event-space: performance space and spatial performativity / Dorita Hannah --<br/>Performing space --<br/>Event-space and spatial events --<br/>The end of illusion --<br/>The empty space --<br/>Disciplinary manoeuvres --<br/>Presencing architecture --<br/>3.2. Scenographic space and place / Louise Ann Wilson in conversation with Scott Palmer --<br/>3.3. Audience space/scenographic space / Scott Palmer --<br/>Performance space and the audience --<br/>Performance place and scenographic space --<br/>The empty space and the performer --<br/>Activities --<br/>Further reading. Ch. 4. Time / introduced and edited by Tony Gardner --<br/>Introduction --<br/>4.1. Theatre, technology and time / Steve Dixon --<br/>Postmodern time --<br/>Extratemporality --<br/>Freezing time --<br/>Conclusion time --<br/>4.2. Ghost Dance: time and duration in the work of Lone Twin / Gregg Whelan in conversation with Tony Gardner --<br/>4.3. The lives and times of performance / Tony Gardner --<br/>The unique connection between performance and time --<br/>Antony Gormley and the Fourth Plinth --<br/>Grasping time --<br/>Conclusion --<br/>Activities --<br/>Further reading --<br/>ch. 5. Technology / introduced and edited by Sita Popat --<br/>Introduction --<br/>5.1. Gaming and performance: narrative and identity / Jessica Wood --<br/>Computer games as drama --<br/>Self-representation and the avatar --<br/>Being there, doing that --<br/>The fourth wall --<br/>Conclusion --<br/>5.2. SwanQuake: House: 'messing the system up' / Sita Popat --<br/>SwanQuake: House: A personal experience (Sita Popat) --<br/>Interview with Ruth Gibson and Bruno Martelli --<br/>5.3. Performance and technology: the myth of disembodiment / Sita Popat --<br/>Introduction --<br/>Cyberspace --<br/>'Touching with my eyes' --<br/>Liveness --<br/>Is any body out there? --<br/>Conclusion --<br/>Activities --<br/>Further reading. Ch. 6. Interactivity / introduced and edited by Alice O'Grady --<br/>Introduction --<br/>Two perspectives on interaction --<br/>6.1. Boalian perspectives on interactivity in theatre / John Somers --<br/>Introduction --<br/>The real and the fictional --<br/>What kinds of interactivity are there? --<br/>What does the audience contribute? --<br/>What are the challenges for the actors? --<br/>The need for closure and for support post-event --<br/>Conclusion --<br/>6.2. Interactivity and the work of Blast Theory / Matt Adams in Conversation with Alice O'Grady --<br/>6.3. Interactivity: functions and risks / Alice O'Grady --<br/>Interactivity and performance --<br/>Interactive performance is always incomplete --<br/>Interactivity in practice --<br/>Spaces of interactivity --<br/>Conclusion --<br/>Activities --<br/>Further reading --<br/>ch. 7. Organization / introduced and edited by Calvin Taylor --<br/>Introduction --<br/>7.1. Performance, culture, industry / Ralph Brown --<br/>Value, assets and returns --<br/>Communities of practice --<br/>Conclusion --<br/>7.2. Organizational agility and improvisation / Teo Greenstreet --<br/>7.3. Performance, organization, theory / Calvin Taylor --<br/>The machine metaphor --<br/>Organization as organism --<br/>Organization as network --<br/>Activities --<br/>Further reading --<br/>ch. 8. Epilogue / Jonathan Pitches. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | This critical introduction to Performance Studies provides undergraduates with an accessible way into terminology and context. Using a tripartite structure that combines the voices of artists, critics and teachers, it addresses a variety of practices moving through body, space, time, technology, interactivity and organization. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Arts |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Outline of sports, games and entertainment |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Public performances |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Performing arts. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Schauspielkunst |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Pitches, Jonathan, |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Books |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Date acquired | Source of acquisition | Cost, normal purchase price | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Not For Loan | SNU LIBRARY | SNU LIBRARY | 10/12/2021 | Technical Bureau India Pvt. Ltd. | 2729.00 | 791 PIT | 28170 | 02/05/2022 | 10/12/2021 | Books |
