The race of sound (Record no. 60284)

MARC details
000 -LEADER
fixed length control field 02405nam a22002537a 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230601101953.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 230601b |||||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780822368687
028 ## - DISTRIBUTOR NAME
Distributor Name : International Book Distributors
Distributor address : 17, Prakash Apartment, 4405/2, 5 Ansari Road, Daryaganj, New Delhi.
Bill Number : 119330
Bill Date : 27/05/2023
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 781.230 EID
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Eidsheim, Nina Sun.
245 ## - TITLE STATEMENT
Title The race of sound
Remainder of title : listening, timbre, and vocality in African American music.
Statement of responsibility, etc / Nina Sun Eidsheim.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc , Durham
Name of publisher, distributor, etc : Duke University Press
Date of publication, distribution, etc , 2019.
300 ## - PHYSICAL DESCRIPTION
Extent xiv,268p.
Dimensions :22cm.
365 ## - TRADE PRICE
Price amount 2490
505 ## - FORMATTED CONTENTS NOTE
Contents note Formal and informal pedagogies : believing in race, teaching race, hearing race<br/>Phantom genealogy : sonic Blackness and the American operatic timbre<br/>Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity<br/>Race as zeros and ones : Vocaloid refused, reimagined, and repurposed<br/>Bifurcated listening : the inimitable, imitated Billie Holiday<br/>Widening rings of being : the singer as stylist and technician
520 ## - SUMMARY, ETC.
Summary, etc In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre--the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element African Americans
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element MUSIC Ethnomusicology
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Music and race
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Singing Social aspects United States
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Nina Sun Eidsheim.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Date acquired Source of acquisition Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Dewey Decimal Classification     SNU LIBRARY SNU LIBRARY 01/06/2023 International Book Distributors 2490.00   781.230 EID 29334 01/06/2023 01/06/2023 Books

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