Acoustic Resonance, Neoliberalism, and Biopolitics. (Record no. 62653)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01907nam a22002297a 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241230131117.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 241230b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781478006640 |
| 028 ## - DISTRIBUTOR NAME | |
| Distributor Name | : International Book Distributors |
| Distributor address | : Flat No.- 17, Prakash Apartment, 4405/2,5 Ansari Road, Daryaganj, New Delhi |
| Bill Number | : 121072 |
| Bill Date | : 17/12/2024 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 340.1 JAM |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | James, Robin. |
| 245 ## - TITLE STATEMENT | |
| Title | Acoustic Resonance, Neoliberalism, and Biopolitics. |
| Statement of responsibility, etc | / Robin James. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | , London |
| Name of publisher, distributor, etc | : Duke University Press |
| Date of publication, distribution, etc | , 2019. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 245p. |
| Dimensions | : 24cm. |
| 365 ## - TRADE PRICE | |
| Price amount | 1706 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme―a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics―employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Acoustic resonance |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Social world |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Philosophy |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Robin James |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Books |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Date acquired | Source of acquisition | Cost, normal purchase price | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | SNU LIBRARY | SNU LIBRARY | 30/12/2024 | International Book Distributors | 1706.00 | 340.1 JAM | 30555 | 30/12/2024 | 30/12/2024 | Books |
