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Ashoka : Portrait of a Philosopher King. /Patrick Olivelle.

By: Contributor(s): Material type: TextTextPublisher number: : International Book Distrubutors | : Flat No. 17, Prakash Apartment, 4405/2,5, Ansari Road, Daryaganj, New Delhi.Publication details: Gurugram : Harper Collins, , 2023.Description: xxxix, 356p ; 24cmISBN:
  • 9789356993228
Subject(s): DDC classification:
  • 954.01 OLI
Summary: Ashoka, the last great Mauryan emperor, is one of the most iconic figures in Indian history. Under his rule (268-232 BCE) the Mauryan empire extended across almost the entirety of the Indian subcontinent. Apart from his effective reign over his vast kingdom, Ashoka is well known for his renunciation of war, his development of the concept of dhamma, his patronage of Buddhism, and his promotion of religious harmony. Ashoka has been imagined, and reimagined, many times over. It has been said that there are at least two Ashokas: the historical Ashoka (whom we know mainly through his inscriptions), and the legendary Ashoka, who is largely a construct of the popular imagination. The distinguished scholar Patrick Olivelle's new book resists the temptation to blend the two-a temptation that many writers have succumbed to-as it seeks to gain an insight into the emperor's world. Based primarily on the inscriptions (which is where Ashoka 'speaks for himself'), Olivelle constructs a fascinating portrait of India's first great ruler, where the figure of Ashoka comes vividly alive notwithstanding the elusiveness and fragmentary nature of the sources.
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Books Books SNU LIBRARY 954.01 OLI (Browse shelf(Opens below)) Available 30445
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Ashoka, the last great Mauryan emperor, is one of the most iconic figures in Indian history. Under his rule (268-232 BCE) the Mauryan empire extended across almost the entirety of the Indian subcontinent. Apart from his effective reign over his vast kingdom, Ashoka is well known for his renunciation of war, his development of the concept of dhamma, his patronage of Buddhism, and his promotion of religious harmony.

Ashoka has been imagined, and reimagined, many times over. It has been said that there are at least two Ashokas: the historical Ashoka (whom we know mainly through his inscriptions), and the legendary Ashoka, who is largely a construct of the popular imagination. The distinguished scholar Patrick Olivelle's new book resists the temptation to blend the two-a temptation that many writers have succumbed to-as it seeks to gain an insight into the emperor's world. Based primarily on the inscriptions (which is where Ashoka 'speaks for himself'), Olivelle constructs a fascinating portrait of India's first great ruler, where the figure of Ashoka comes vividly alive notwithstanding the elusiveness and fragmentary nature of the sources.

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