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Copyright law and the public interest in the nineteenth century /Isabella Alexander

By: Contributor(s): Material type: TextTextPublisher number: International Book Distributors | ;Flat No.17,Prakash Apartments,5 Ansari Road,New Delhi-110002Publication details: Oxford ; Portland, Or. : Hart , 2010.Description: xxiv, 320 pages ;24 cmISBN:
  • 9781841137865
Subject(s): Genre/Form: DDC classification:
  • 346.4104 ALE
Contents:
Introduction: Copyright, history, the public -- Copyright before the nineteenth century -- Copyright, the book trade and the reading public -- Extension and expansion -- Examination and internationalisation -- Infringement at common law : drawing copyright's boundaries -- The making of the 1911 Imperial Copyright Act -- Conclusion.
Summary: Copyright law is commonly described as carrying out a balancing act between the interests of authors or owners and those of the public. While much academic work, both historical and contemporary, has been done on the authorship side of the equation, this book examines the notion of public interest, and the way that concepts of public interest and the rhetoric surrounding it have been involved in shaping the law of copyright. While many histories of copyright focus on the eighteenth century, this book's main concern is with the period after 1774.
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Item type Current library Call number Status Barcode
Books Books SNU LIBRARY 346.4104 ALE (Browse shelf(Opens below)) Not For Loan 27298
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Introduction: Copyright, history, the public --
Copyright before the nineteenth century --
Copyright, the book trade and the reading public --
Extension and expansion --
Examination and internationalisation --
Infringement at common law : drawing copyright's boundaries --
The making of the 1911 Imperial Copyright Act --
Conclusion.


Copyright law is commonly described as carrying out a balancing act between the interests of authors or owners and those of the public. While much academic work, both historical and contemporary, has been done on the authorship side of the equation, this book examines the notion of public interest, and the way that concepts of public interest and the rhetoric surrounding it have been involved in shaping the law of copyright. While many histories of copyright focus on the eighteenth century, this book's main concern is with the period after 1774.

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