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Women and Literary Celebrity in the Nineteenth Century : the transatlantic production of fame and gender / Brenda R Weber

By: Contributor(s): Material type: TextTextPublisher number: :International Book Distributors | :Flat No 17, Prakash Apartment 4405/2, 5 Ansari Road Darya Ganj New Delhi :International Book Distributors | :Flat No 17, Prakash Apartment 4405/2, 5 Ansari Road Darya Ganj New Delhi Series: Ashgate series in nineteenth-century transatlantic studiesPublication details: Farnham, Surrey, England ; Burlington, VT : Ashgate, ©2012.Description: xiv, 259 pages 24cmISBN:
  • 9781138260573
Subject(s): DDC classification:
  • 820.9928 WEB
Contents:
Cover; Contents; Acknowledgements; Introduction; 1 Reconstructing Charlotte; 3 "Great genius breaks all bonds"; 4 Correcting the Record, Creating a New One; 5 The Text as Child; Conclusion; Afterword; Works Cited; Index.
Summary: Focusing on representations of women's literary celebrity in nineteenth-century nonfiction and fiction, Weber examines the transatlantic cultural politics of gender, sex and the body. Looking at discursive patterns and texts by authors like Charlotte Brontë, Elizabeth Gaskell, Fanny Fern, Margaret Oliphant and Eliza Potter that feature successful woman writers, Weber argues that discursive representations of the legitimately famous woman used celebrity as a tactic for altering perceptions about femininity and female identity
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Item type Current library Call number Status Barcode
Books Books SNU LIBRARY 820.9928 WEB (Browse shelf(Opens below)) Available 28271
Books Books SNU LIBRARY 820.9928 WEB (Browse shelf(Opens below)) Not For Loan 28199
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Cover; Contents; Acknowledgements; Introduction; 1 Reconstructing Charlotte; 3 "Great genius breaks all bonds"; 4 Correcting the Record, Creating a New One; 5 The Text as Child; Conclusion; Afterword; Works Cited; Index.


Focusing on representations of women's literary celebrity in nineteenth-century nonfiction and fiction, Weber examines the transatlantic cultural politics of gender, sex and the body. Looking at discursive patterns and texts by authors like Charlotte Brontë, Elizabeth Gaskell, Fanny Fern, Margaret Oliphant and Eliza Potter that feature successful woman writers, Weber argues that discursive representations of the legitimately famous woman used celebrity as a tactic for altering perceptions about femininity and female identity

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