Love's knowledge : essays on philosophy and literature /Martha C Nussbaum

By: Nussbaum,Martha CContributor(s): Martha C NussbaumMaterial type: TextTextPublisher number: Atlantic Publishers & Distributors (P) Ltd. | ;7/22,Ansari Road ,Darya Ganj,New Delhi-110002Publication details: New York : Oxford University Press , 1992Description: xiv, 403 pages ;24 cmISBN: 9780195074857Subject(s): PhilosophyGenre/Form: Literature and moralsDDC classification: 170 NUS
Contents:
Introduction : form and content, philosophy and literature -- The discernment of perception : an Aristotelian conception of private and public rationality -- Plato on commensurability and desire -- Flawed crystals : James's The golden bowl and literature as moral philosophy -- "Finely aware and richly responsible" : literature and the moral imagination -- Sophistry about conventions -- Reading for life -- Fictions of the soul -- Love's knowledge -- Narrative emotions : Beckett's genealogy of love -- Love and the individual : romantic rightness and Platonic aspiration -- Steerforth's arm : love and the moral point of view -- Transcending humanity.
Summary: This volume brings together Nussbaum's published papers on the relationship between literature and philosophy, especially moral philosophy. The papers, many of them previously inaccessible to non-specialist readers, deal with such fundamental issues as the relationship between style andcontent in the exploration of ethical issues; the nature of ethical attention and ethical knowledge and their relationship to written forms and styles; and the role of the emotions in deliberation and self-knowledge. Nussbaum investigates and defends a conception of ethical understanding whichinvolves emotional as well as intellectual activity, and which gives a certain type of priority to the perception of particular people and situations rather than to abstract rules. She argues that this ethical conception cannot be completely and appropriately stated without turning to forms ofwriting usually considered literary rather than philosophical. It is consequently necessary to broaden our conception of moral philosophy in order to include these forms. Featuring two new essays and revised versions of several previously published essays, this collection attempts to articulate therelationship, within such a broader ethical inquiry, between literary and more abstractly theoretical elements.
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Introduction : form and content, philosophy and literature --
The discernment of perception : an Aristotelian conception of private and public rationality --
Plato on commensurability and desire --
Flawed crystals : James's The golden bowl and literature as moral philosophy --
"Finely aware and richly responsible" : literature and the moral imagination --
Sophistry about conventions --
Reading for life --
Fictions of the soul --
Love's knowledge --
Narrative emotions : Beckett's genealogy of love --
Love and the individual : romantic rightness and Platonic aspiration --
Steerforth's arm : love and the moral point of view --
Transcending humanity.


This volume brings together Nussbaum's published papers on the relationship between literature and philosophy, especially moral philosophy. The papers, many of them previously inaccessible to non-specialist readers, deal with such fundamental issues as the relationship between style andcontent in the exploration of ethical issues; the nature of ethical attention and ethical knowledge and their relationship to written forms and styles; and the role of the emotions in deliberation and self-knowledge. Nussbaum investigates and defends a conception of ethical understanding whichinvolves emotional as well as intellectual activity, and which gives a certain type of priority to the perception of particular people and situations rather than to abstract rules. She argues that this ethical conception cannot be completely and appropriately stated without turning to forms ofwriting usually considered literary rather than philosophical. It is consequently necessary to broaden our conception of moral philosophy in order to include these forms. Featuring two new essays and revised versions of several previously published essays, this collection attempts to articulate therelationship, within such a broader ethical inquiry, between literary and more abstractly theoretical elements.

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