Dialogues in Public Art / Tom Finkelpearl
Material type: TextPublisher number: :Zafaa Books & Distributors | :313/56F 49A, Anand Nagar Inderlok Delhi 110035Publication details: Cambridge, Mass ;MIT Press, @2000Description: xiii, 453 pages 24cmISBN: 9780262561488Subject(s): Arts | Philosophy and theory of fine and decorative arts | Public art -- United States | Artists -- United States -- Interviews | Artists -- United States -- Interviews | ART -- General | Community arts projects | United States | Art -- Intégration à l'architecture -- États-Unis | Art -- CommissioningDDC classification: 701.03 FINItem type | Current library | Call number | Status | Date due | Barcode | Item holds |
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Books | SNU LIBRARY | 701.03 FIN (Browse shelf(Opens below)) | Not For Loan | 28365 |
Dialogues in Public Art presents a blend of interviews with the people who create and experience public art - from an artist who mounted three bronze sculptures in the South Bronx to the bureaucrat who led the fight to have them removed; from an artist who describes his work as a "cancer" on architecture to a pair of architects who might agree with him; from a artist who formed a coalition to convert twenty-two derelict row houses into an art center/community revitalization project to a young woman who got her life back on track while living in one of the converted houses. The twenty interviews are divided into four parts: Controversies in Public Art, Experiments in Public Art as Architecture and Urban Planning, Dialogues on Dialogue-Based Public Art Projects, and Public Art for Public Health."--Jacket
Dialogues in Public Art presents a blend of interviews with the people who create and experience public art - from an artist who mounted three bronze sculptures in the South Bronx to the bureaucrat who led the fight to have them removed; from an artist who describes his work as a "cancer" on architecture to a pair of architects who might agree with him; from a artist who formed a coalition to convert twenty-two derelict row houses into an art center/community revitalization project to a young woman who got her life back on track while living in one of the converted houses. The twenty interviews are divided into four parts: Controversies in Public Art, Experiments in Public Art as Architecture and Urban Planning, Dialogues on Dialogue-Based Public Art Projects, and Public Art for Public Health."--Jacket
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